the rereadables

I have a small collection of books that I reread whenever the mood takes me. These books have become like old friends to me. Time and time again, I have turned to them for comfort, for reassurance – even for guidance.

I don’t feel this way about all of my favourite books. I adore Thomas Hardy’s Jude the Obscure, just to name a random example, and I’ve read it many times…but it’s not one of the books I make a particular habit of re-reading.

These books – I’ll call them “the rereadables” to save time – all have a few things in common. The rereadables are all really short; the kind of books you can read in a sitting or two. And, like a literary first-aid kit, each book is there for a reason; the answer to an unspoken question.

I keep these books, my rereadables, in the tiny shelf on my bedside table. When I can’t get to sleep, for example, I pick up Italo Calvino’s Invisible Cities. I don’t even need to begin at the start – just open the book to a random city, and begin to explore.

I won’t give you a complete list of my rereadables. It seems too personal. And besides – the list is always changing. Some books have fallen out of my life over the years. We’ve grown apart. And I’m always finding new favourites. I read A Room With A View last New Year’s Eve and decided instantly that this would be the beginning of a New Year’s tradition.

This post is about one of the books from the shelf next to my bed. It’s about the book that I’ve reread so many times, I’ve lost count.

But – promise you won’t laugh at me when I tell you what it is, okay?

It’s The Little Prince, by Antoine de Saint-Exupéry.

(Yes, it’s kids’ book. Shut up.)

I first read The Little Prince when I was seventeen and studying French. Actually, it was the first book I read entirely in French. (The second, if you’re interested, was Camus’ L’Étranger). My small class – there were five of us – read The Little Prince together, painstakingly slowly, with our heads awkwardly close to the photocopied pages and our dictionaries waiting beside our elbows.

That was a long time ago. I’ve forgotten most of the French I learned at high school – but this book has remained with me all this time. I have two copies, both in English. The images in this post are from an early edition American copy I was given for Christmas, many years ago.

Every year, I celebrate my birthday by re-reading The Little Prince. It’s become a ritual, a tradition. Between the pages, there are tickets, boarding passes, receipts, sticky notes – the memories of birthdays past.

Why do I love The Little Prince? It’s because it doesn’t blindly idealise childhood. That would be cloying and ridiculous. It’s much more profound than that.

The Little Prince has a lot to say about children, and, yes, adults – and “grown-ups” are frequently criticised…but, at the same time, Saint-Exupéry’s narrator is proof that one can become an adult and still retain something of what it means to be a child.

I adore Saint-Exupéry’s beautiful illustrations. Yet in every illustration of the little prince himself, he is different in some way, as if our narrator is struggling to recall what he looked like – a constant reminder that retrospection is essentially flawed. Saint-Exupéry dwells on the impossible, the unattainable, the invisible – and that’s what draws me, time after time, to this book.

The Little Prince portrays childhood as a country from which we, as adults, are forever exiled – but, at the same time, The Little Prince doesn’t wallow in the past – it gives us a new perspective on the future. It helps us conceptualise adulthood in an entirely new way.

Saint-Exupéry wrote The Little Prince in exile during the Second World War, and it’s often when I’m in a state of metaphorical war and exile that I long to re-read this book. When the adult world is all just a little too much, this book picks me back up, brushes the dust from my clothes and sends me on my way again, relaxed, revived and refreshed.

I’ve read The Little Prince so many times because every time I read it, it’s a completely different book. It speaks to me in an entirely new way. Yes, this is true of all books, but it’s especially true of the books I keep beside my bed – my rereadables. As I’ve changed over the years, these books have changed with me. They are, quite simply, my therapy.

I’d love to know if you have a particular book you reread all the time. Or maybe you have a little collection of rereadables, like me? Which books do you keep beside your bed? The books you love the most…or just the books you’re reading right now?

1984 – the children’s bach ~ helen garner

What’s left to write about Helen Garner’s stunning The Children’s Bach that hasn’t already been written by writers infinitely more eloquent than myself?

Although I can’t imagine I have anything to contribute, the urge to write about this intricate little novel remains. Is it pure egotism that compels me to speak my piece, regardless? Or is it because that’s what critics are meant to do?

This is only my second review for the Australian Women Writers project. Yes, I know. I intended to write one AWW review per month. I have four books sitting on my desk right now, waiting my attention.

I’ll be writing a series of brief reviews to help me get my schedule back on track. It’s something new for me – let me know what you think.

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the astounding stupidity of optimism

If you pretend to be good, the world takes you very seriously. If you pretend to be bad, it doesn’t. Such is the astounding stupidity of optimism.

- Oscar Wilde

I’m not sure what temporary insanity led me to enter the Sydney Writers’ Centre’s Best Australian Blogs competition for the second year running.

Was it a sudden burst of uncharacteristic ambition? Was it because all the cool kids were entering and I didn’t want to be left out? Or perhaps it was because I did surprisingly well in last year’s competition and thought I’d try again out of sheer curiosity?

I don’t know what it was, dear reader. But anyway – I entered. I’m in the Words section of the competition. Wish me luck, because I’m definitely going to need it…

There are two aspects to the competition – both equally scary. The first is judged by the experts at the Sydney Writers’ Centre, who’ll cast their critical eye over Book to the Future (eep!) and pass their final selections on to uberjudge, Angela of LiteraryMinded.

The second part of the competition is the People’s Choice Award. And that’s – umm – the awkward part. See, in a moment of astounding stupidity when I filled in the form to enter my blog into the competition, I thought “Yes – of course I’ll enter the People’s Choice Award! Why not?”. But now, looking through the list of blogs that are also up for the same award, I’m feeling a little daunted. Okay, more than just a little daunted. Terrified, in fact.

This award is judged by you, the readers of Book to the Future. And, as much as I hate grovelling – if you’ve read and enjoyed my blog, it’d make my day (possibly even my month or quite possibly my year) if you could take a moment to vote for me. And, of course, all your other favourite Australian blogs.

The clever folk at the Sydney Writers’ Centre have made the whole voting process really easy. Just click the button below and it’ll whisk you away to a five page survey. In return for your vote, you’ll have my undying gratitude:

People's Choice Award

the terrible twos

two years

seventy three book reviews

countless giant mugs of tea

many new friends made

one very grateful blogger…

It’s my bloggiversary, dear readers! Today – April Fool’s Day, appropriately enough – marks exactly two years since I published my very first Book to the Future post.

Last year, I celebrated by making a cake. But this year, the anniversary caught me unaware, and I haven’t planned a thing. So I’m writing this post as the sun sets behind me, listening to some of my favourite songs to block out the sound of the thunderstorm rumbling into life outside as I drink tea and think about the past two years – about the books I’ve read and the amazing people I’ve met, online and offline.

How things have changed – are still changing. When I started writing Book to the Future, it was intended as a project that would take me “two-and-a-bit” years to complete. And yet, here I am: two years on, and nowhere near finished. Err…whoops.

Anyone else might find this frustrating. But secretly, I’m delighted.

I celebrated most of my blog’s second birthday in fitting style: oblivious to the occasion, completely lost in a truly wonderful book. Perfect.

To everyone who has found my blog, left a comment, followed my inane blabber on Twitter or e-mailed me – my sincere thanks. Not for the first time, I raise my striped tea mug in a gesture of quiet, honest gratitude to you all…

Another year of Book to the Future? Yes. I think so. I’m not finished yet.

1957 – on the road ~ jack kerouac

There’s a strange thing that happens to me whenever someone casually mentions the title of one of my favourite books in conversation. My eyes open a little wider, my spine straightens, my fingers twitch – my heart hesitates for a moment over its next beat.

So much depends on what the other person is about to say. Will our conversation flourish or flounder?

I take it very personally when someone hates one of the novels I hold the closest to my heart. A dismissive, insensitive comment about a book that means a lot to me can seem almost like an insult.

I’ve learned that, when it comes to books – and indeed to art in general, it pays to be kind. Art unites us, but it can divide us too.

Which brings me to the book I’m about to review – Jack Kerouac’s On the Road. All of this is my strange way of telling you that I didn’t particularly like On the Road. But I know that there are people out there – people I admire – who have deep feelings about this novel.

I respect that – just as I hope you can still respect me after this review. Friends?

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1954 – bonjour tristesse ~ francoise sagan

Yes, I’m going back to 1954 again. Blogger’s prerogative.

As you may recall from this post last year, when I sat down and looked at the ten books I’d selected to read to represent the 1950s, I was deeply ashamed to realise that they all had something in common: they were all written by men. I hadn’t included a single novel written by a woman.

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2011 – animal people ~ charlotte wood

Sometimes, dear reader, this whole book reviewing thing is more complicated than I could ever have imagined.

For me, reading Charlotte Wood’s Animal People was an incredibly personal experience. The task of writing about this novel has led to much soul-searching.

Every time I’ve sat down at my desk to review Animal People, I’ve found myself sliding out from behind the keyboard, distracted, uncomfortable, searching for something else to do.

I’ve been putting off writing this review, not because I didn’t like the novel, but because Animal People broke my heart. And, to be completely honest, I’m still trying to put all the pieces back together.

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a few things i know for sure ~ an introduction to the australian women writers challenge

Fact number one: novels written by Australian women have long been an integral part of my reading life.

When I think of my childhood, I think of Isobelle Carmody’s Obernewtyn series, and Space Demons by Gillian Rubinstein, which I remember reading obsessively in a little cave under the sheets of my bed, so my parents couldn’t see the torchlight as they shuffled past my door to their bedroom.

I still have my copy of Obernewtyn!

Unlike many, I was fortunate enough to have an education that was studded with some of our greatest female writers. In my first few years at high school, I studied novels by Nadia Wheatley and Ruth Park (Playing Beattie Bow was one of the reasons I moved to Sydney!) and, of course, Robin Klein.

A few years later, in my late teens, a feminist English teacher introduced me to Kate Grenville’s Joan Makes History and Jessica Anderson’s Tirra Lirra by the River, and, in year twelve, I studied the poetry of Judith Wright.

At University, the focus centred more on the usual dead white guys, but I did have the fortune to encounter Thea Astley’s A Kindness Cup and Helen Garner’s The Children’s Bach.

~~

Which leads me to another thing I know. Fact number two, if you like. At some point, you have to take charge of your own education. That’s one of the many reasons I started writing Book to the Future – I’d become frustrated by my own ignorance.

Along the way, I’ve encountered many amazing, life-changing novels written by Australian women. Like My Brilliant Career, which I’m still raving about, even though I read it nearly two years ago. I’m still haunted by Marie, from Fiona McGregor’s Indelible Ink. I adored The Harp in the South by Ruth Park. I’ll recommend Kylie Ladd’s Last Summer to anyone who’ll listen. And then, of course, there’s The Man Who Loved Children. Whenever I think about it, I feel a shiver of awe.

Some of the novels by Australian women writers I’ve read and reviewed so far

Something else I know – and this time, it’s not something I’m particularly proud of: I haven’t read anywhere near as many classic novels by Australian women as I should have. And I need to somehow try and squeeze more contemporary novels by Australian women into my reading schedule.

Why? Because I think Australian women have something important to say, and a distinctive voice that needs to be encouraged.

It’s been widely noted by writers much more eloquent than I that writing by Australian women is often ignored by the people who decide which books to review in newspapers, and by the people who hand out the big literary prizes.

Though, of course, not all gender bias is intentional. I’m guilty of it myself. Looking at the list of reviews I’ve posted since I started writing this blog, I’m a little staggered to find that, of the sixty-one novels I’ve reviewed to date, only twenty-one were written by women.

That’s why I’ve decided to take up blogger Elizabeth Lhuede’s 2012 Australian Women Writers Challenge. It’s a simple challenge: read and review at least three novels by Australian women for the year. Easy. Although I hadn’t really considered doing a reading challenge before (after all, the nature of my blog is essentially one big reading challenge) when I found out about the Australian Women Writers Challenge, I knew I wanted to be involved.

Just a few of the books I’ll be reading this year…

So, this year, I’ll be reviewing as many novels written by Australian women that I can. While the concept of Book to the Future will remain the same, I’ll be taking a few little detours here and there.

There’s a host of other intrepid bloggers out there who have signed up for the challenge too; bloggers much more prolific and well-read than myself. Here’s the complete list – go and leave an encouraging comment or two.

There’s something else I know; one final thing.

Perhaps I’m naïve, but I honestly believe that the choices we readers make matter. As a reader, the books buy can help to shape the future of the Australian publishing industry.

I believe reading is power. Although I might be just a bookblogger, I have a voice, and I plan on using it.